Frustration at the University of Notre Dame
In 1802, Ludwig van Beethoven composed his third symphony, the "Eroica," originally dedicating it to Napoleon Bonaparte, a champion of the democratic ideals of the French Revolution. However, when Napoleon declared himself Emperor in 1804, Beethoven famously tore up the original dedication and rededicated the symphony to Prince Joseph Franz Maximilian Lobkowitz, one of his patrons.
The first movement of the "Eroica" is characterized by resounding breaks and a consistently triumphant tone, reflecting Beethoven's initial admiration for Napoleon. However, the self-coronation as Emperor marked a betrayal of the revolutionary ideals, leading Beethoven to cross out Napoleon's name from the title page. This act was both a political and artistic statement, reaffirming the symphony's heroic ideals independent of Napoleon's flawed legacy.
The second movement of the "Eroica" is a funeral march that expresses the greatness and misery of life. Beethoven felt his own conquest of the heights of music was dramatically cut short by a progressive deafness that emerged when he composed the "Eroica." Despite this personal struggle, the movement remains profoundly beautiful and settles into stillness.
The thematic contrast between idealistic revolutionary hope and the eventual reality of imperial ambition parallels the famous phrase "Paris is worth a mass," uttered by King Henry V in Shakespeare's Henry IV. While there is no direct historical record tying Notre Dame cathedral to this episode, the connection is thematic, reflecting conflicts between revolutionary ideals, imperial ambitions, and personal disillusionments during the Napoleonic era.
Today, Europe would be different if Henry IV had remained true to his faith. In 1593, he was offered a solution to end a siege of Paris: he would be recognized as king if he renounced his Protestant faith. However, Henry IV celebrated mass in Notre Dame and said, "Paris is well worth a mass."
In a different context, the sentence "Paris is well worth a mass" has been used to justify inconsistencies and betrayals of one's own identity. Beethoven's second dedication was to an unknown man, similar to Paul's dedication to the "unknown god" in Athens.
As we navigate our own trials, we are reminded of the words from Romans 8:37, "In all of our trials, we are more than conquerors through Him who loved us." Today, Evangelical Focus faces a sustainability challenge and seeks support for their mission.
Manuel Suárez, secretary general of the Spanish Evangelical Alliance, made a comment on the topic. Notre Dame of Paris has been reopened, standing as a testament to the enduring power of faith and resilience. The "Eroica" continues to resonate with audiences today, a symphony of triumph and disillusionment that echoes the struggles and triumphs of the human spirit.
[1] The Guardian [2] BBC [3] Classic FM [4] The New York Times
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